Tailgating
Tailgating - P-51D Musting in trail behind a North American B-25 Mitchel photograph aircraft. Photographer - Daniel Patterson. Photo used with permission.
photography and word
Leica M4 w/25mm F:3.5 Canon
Panasonic Lumix DMC LX2
Olympus 35SP
Leica M4 w/15mm F:4.5 Voigtlander




The Price Tower - commissioned by Harold C. Price, for use as a corporate headquarters for his Bartlesville company. Frank Lloyd Wright described the Price Tower as "the tree that escaped the crowded forest," referring not only to the building's construction, but also to the origins of its design. The Price Tower is supported by a central "trunk" of four elevator shafts which are anchored in place by a deep central foundation. The nineteen floors of the building are cantilevered from this central core, like the branches of a tree. The outer walls hang from the floors and are partially clad in copper "leaves." The floorplan of the Price Tower centers upon an inlaid cast bronze plaque, bearing the logo of the Price Company and marking the origin of a parallelogram grid upon which all exterior walls, interior partitions and doors, and built-in furniture are placed. The resulting design is a quadrant plan -- one quadrant dedicated for double-height apartments, and three for offices. The materials for the Price Tower are equally innovative for a mid-twentieth-century skyscraper: cast concrete walls, pigmented concrete floors, aluminum-trimmed windows and doors, and patinated embossed and distressed copper panels. The general geometric element is the equilateral triangle, and all lighting fixtures and ventilation grilles are based upon that form while the angled walls and built-in furniture are based on fractions or multiples of the triangular module.
Prescription from Hell - Dennison, Ohio: 2006. One of the rituals of working up a patient in an emergency department involves going through all of their medication (if the patient or family can be bothered to bring them). Frequently one is confronted with multiple bottles of the same drug - drugs that were prescribed 5 to 7 years previously - and so forth. The contents of this bottle caught us all by surprise. Sony DSC P30 Cybershot
The Laugh – This person played the part of Prince Hamlet in a production I saw in 2003. I don’t believe I’ll ever see a better performance of the character. Pentax SV w/135mm F:1.8 Auto Soligor.
Town Vagrant – A consulting engineer (in real life).
Aunt Martha - In real life (a just-retired librarian) took the stage for the first time in this production. She was fabulous.
I’ll Blow the Old Lady Away!!!! – Aunt Martha being menaced by a (in real life) local heating/airconditioning contractor. . .
Don’t Open the Door!
In the Clutches of Endicott – the Living Scarecrow. . . .
Tobacco Barn – Belfast, Ohio - 16 December 2006. On the return leg of a day trip to the Great Serpent Mound in Ohio, we passed this spot. I pulled over and shot because I liked the texture of the tobacco leaves hanging and the siding on this barn. Asahi Pentax SP w/135mm F:2.5 Super Takumar
Approach – March 2007 – Phoenix, Arizona. One of the advantages of digital shooting is being able to get shooting angles out of the aircraft that are just not possible with conventional film cameras. This was one of about twelve images I shot in rapid succession while my Boeing 737 was descending towards Phoenix Sky Harbor. SONY DSC P30 Cybershot - click on image.
Sturmwind – July 2008 – Stoutsville, Ohio. This is another one of my daytime time exposure shots made possible with an ND400 filter that cuts film speed by a factor of 400. There was a lot of wind off a thunderstorm that was passing just to the north of the house. I like what long exposure does to moving things like trees being tossed back & forth by wind gusts. Leica M2 w/35mm F:1.5 Canon.
Turquoise Road – Cerrilos, NM – 13 December 2003. My son Jacob and I went on a short day trip from Santa Fe, NM down to Madrid. On our way back, I spied this scene. I don’t know if the Chevrolet was parked out there next to the turquoise sign on purpose – but it worked for me. Nikon FE2 w/35-70mm Sigma. (Click the image)
Winter Barn – January 2006. It began to snow – so I grabbed my gear and went out looking for subject matter. Shooting when it is snowing gives depth to landscapes and adds visual interest. Click image. This is a barn about twelve miles southwest of Lancaster. There was snow with blowing wind. I looks like winter repose for the Allis-Chalmers Gleaner. To be honest – it probably hasn’t moved since this was taken. Leica M2 w/25mm F:3.5 Canon.
After the Fire – July 2008. The upper storey of a friend’s house burned. They were able to save the house – but almost everything on the upper floor was damaged or destroyed. Here his son surveys the damage, his posture one of resignation. Leica M2 w/35mm F:1.5 Canon.
Zen Magpie – Lander, Wyoming - 14 January 2004. Starting from Riverton, Wyoming – I headed for Lander via the wrong road - Route 26 - which would have eventually have taken me to Dubois. When I got to 132 I turned southwest and drove through Ethete. When I hit 287 I turned south and drove to Lander. I drove out to the Sinks and the Rise where I took a few pictures while the sun shone a few minutes. This picture was my favorite. It has a Zen look to it. It’s interesting to me how much I liked Lander the first time I’d visited a few years back. Maybe it was the winter weather but I was wholly unimpressed on this visit. I just didn’t feel like I belonged there at all. Asahi Pentax SP w/200mm F:3.5 Super Takumar.


